Woman’s Group Meeting, Kinshasa.

It’s true, and I don’t know how I feel about it.

I was in a kind of compound before, where if I wanted to go out for a beer I would have to take a Congolese boy with me and we would walk on splintered pavement in the pitch black. Occasionally he’d throw his hand out because a car threatened to run me down. Then we’d get to a tiny shop with no lights on and ask for beer. Inside the cramped space was littered with imported rice and flour, and I would sometimes see the long tail of a rat disappear into cinder block. Two warm beers and a walk back full of broken English and French conversation. He would tell me, “American boys are gooood, because they have this,” rubbing his fingers together to denote fingers full of cash. I would try to explain that this was first of all not true and that Congolese boys had plenty to offer. He looked confused, “No, you would not marry a black man?” “Aren’t you racist?”, and then I’d laugh a lot at him and he’d sort put the pieces together that I was in Congo by choice and walking with a black boy in the night.

I don’t know, I just slept all day and now I’m awake until morning. In any case, I’m back, and missing my friends.

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Map of Martinique, by the CIA.

My life was untroubled by the existence of Martinique until Daily announced his intentions of living there for eight months in order to research his dissertation. As his degree relates to French Colonial History the presumption was that Martinique was formerly a French Colony, which is correct, but it never would have occurred to me that it remains an actual part of France to this day. Like its Caribbean neighbor Guadeloupe, Guiana (not where Jonestown was) in South America and Reunion (which produced Miss France) near Madagascar, Martinique belongs to the Overseas Department of France. Each place is treated, to my understanding achieved through little effort, similar to various states here in the U.S., with direct representation in France’s government. Unfortunately this also means that they use the Euro which, if you haven’t noticed, is kicking the dollar’s ass these days.

Understanding that our friend was stranding himself in a foreign country where he knew no one Aaron and I began to discuss the possibility of selflessly throwing ourselves into the tropics in the dead of winter to visit. Phone calls to the MVP Gold representatives of Alaska Airlines were made, long slogs discussing logistics complex enough to cause mere calculators to explode in confusion, and a flurry of modern communication ensued between the States and the tiny island of Martinique. Miracles were performed and so it was set in stone that Aaron and I would journey from our comfortable northern climes and descend into the sun-soaked paradise at the beginning of February. Then the flights were changed and we accrued an additional leg and a couple of extra hours.

Suddenly I had gone from a routine entrenched spoil-sport to a globe-trotting member of the international jet-set. This required renewing my passport and finding some way of ensuring I would not be fired or evicted from my home. The gears were set in motion and the pieces fell into place as effortlessly as, eh, whatever the metaphor would be in this case. I even went so far as to borrow a French phrase book from a co-worker who jabbered foreign at me one afternoon without any provocation, assuming that she owed me for this grievous offense. The fact that I hardly cracked the book open during the first couple months of its occupation in my life can only be explained by revealing a complicated series of tragedies and misadventures inspired by Greek myths. With time running out I began mumbling phrases in mixed company and adjusting to the red-hue my cheeks assumed.

However feeble my attempts at incorporating a second (or third, I suppose) language, my research into the place I would ultimately see was first-rate. Martinique subsists on the French government but this economic aid does not mean there is no industry on the island. Tourism accounts for most employment as it requires a large service sector, and there are agricultural exports such as sugar-cane and bananas; the former is mostly dedicated to to the production of rum, for which Martinique is renowned. During the hurricane season of last year, tho, the island lost its entire banana crop. This disaster was followed closely by a 7.1 magnitude earthquake which caused one death (heart attack, I believe) and some destruction. Statistics available were slightly out of date and deviated slightly source by source but unemployment seemed to hover around 28%– higher perhaps this year due to the bananas being destroyed. So far as I understood it I would soon be traipsing through a tropical wonderland where they make a lot of booze and no one has a job, standing out like an albino, speaking the wrong language and probably wearing some garish garb with the mistaken idea that everyone on the island thinks hawaiian shirts and linen pants are the best way to combat the heat and humidity. The only available evidence that Martinique was not an impoverished death-trap like Haiti or Jamaica was that my pale-face friend was able to wander around on his own with no horror stories beyond every yard in his neighborhood being patrolled incessantly by enraged guard-dogs.

After being disappointed with the available literature on the internet (the Martinican tourist site focuses mainly on rum and food) I found a blog written by a British woman named Lindsay who is currently living on the eastern side of the island teaching English to school-children. Her experiences furthered my understanding of what was to come: flying cockroaches the size of baby birds; Dengue Fever. Fortunately she did vouch for the existence of food in supermarkets which could be stir-fried which implied that, were I to escape any untimely demise by insects, disease and kidney-thieves, I might be able to eat; that there would be seafood available (I’m that kind of vegetarian) was a given. Didn’t check into the mercury content of the Caribbean, tho. Her travails with cat-calling lecherous old-men in town seemed unlikely to cause me any problems, for which I was grateful. Maybe if I were blond.

Mount Pelee Erupts, 1902

There are also volcanoes, or at least one. Mount Pelee sits above the town of Saint-Pierre along the northern coast. The city had been the original capital of the island, referred to historically as the Paris of the West Indies, until 1902 when an eruption obliterated the town along with close to 30,000 inhabitants. In under ten minutes. Despite the tears it was exciting to be able to travel to the rebuilt Saint-Pierre where excavations allow you to poke around ruins looking for petrified babies and heads.

Except transportation seemed to be a tricky deal. The towns are separated by large swaths of heavily forested mountains. Car rentals seemed pretty cheap but testimonials suggested attempting to drive alongside the locals was invitation to heart attack because they are all insane. There’s no railroad and the country seems to lack a cohesive transit system beyond an unofficial bus known as a taxico: Large vans or small buses that run normal routes between two cities and just picks people up on the side of the road– you scream in foreign to get out wherever you need to get out and the driver decides how much you’ve cost him.

So what I knew before going: A small island populated by French speaking blacks, guard dogs, mosquitoes, giant flying cockroaches and my friend Daily. It would average 85 degrees during the day and maybe 75 at night with a breeze and the humidity would be high. It would be expensive due to the fact that not only is the island on the Euro but almost everything has to be imported. We would be at the mercy of a ramshackle public transportation system or mercenary cab drivers. If the hurricanes don’t kill you the next earthquake or volcanic eruption probably will. There may be thousands of impoverished people whetting knives waiting for feckless whitey. Then we found out we had booked our trip for Carnaval week.

At least this was more than many people knew when conversation came round to my imminent leaving. Of those who had any idea the place existed most could only recall it floated around somewhere in the Caribbean: It’s one of the lower islands in the Lesser Antilles which cut the Atlantic from the Caribbean close (geographically speaking) to Venezuela. Fewer understood that it was French, not just culturally but politically. One person, I discovered days before taking off, had actually been there before and suggested I take a rum distillery tour. The idea of being hung-over in a tropical climate made less sense than me being in a tropical climate.

None of this really explains how a small island in the Caribbean close to Venezuela became an overseas department of the French Republic, but since my return I’ve asked some questions and done some reading. Wrong order of events, of course, but something of the history: (more…)

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Everything is just the same. We’re all part of society. Think we’ve got what we want. Think we’ve got variety. We like to watch television, listen to the radio. We like to read the Sunday paper. We believe what we’re shown.

There are those who disagree. They don’t like what they see. Different faces, different cases. Fighting all the apathy.

I call it revolution.

It’s not the usual jaunty number I find myself singing as I step out of the shower but somehow I seemed to be channeling what was going on hundreds of miles away. My old friend Lance Hahn died today.

I knew him before I ever knew him, y’know? When I was just getting started with music one of the first 7″ I bought was by an old band called Cringer, who had broken up before I was even aware of anything other than my sister’s tapes and MTV. The memory is pretty clear– Zen Flesh Zen Bones used at Neurotic Records for about two bucks. It wasn’t their best but the name was all over thanks lists from my favorite bands of the time, Green Day and The Mr T Experience and Crimpshrine, so I picked up the far superior Perversion is Their Destiny for a similar cost from Epicenter Zone and I had the bug. A collection of sharp, impassioned, literate (enough) but immediate and raw political and personal songs. The lines were blurry– it wasn’t exactly hardcore but it wasn’t too poppy. The lyrics were directly political and yet distinctly personal. The character of the band bled through the wax and the cover, dripped in your hands. These were people you could find yourself talking to on the street, at a show or at a party. There was no detachment from life, no separation brought on by the stage. These were people.

If I had your pen I’d write this song again, and let someone else write the next lyric. Every single day we have something to say, or at least have some appearance. I can’t be right all the time. I plagiarized the next line. I can’t say that I feel shame. If everyone did the same there’d be nothing left to blame.

It’s hard to believe– in anything– til everyone– does everything.

And so Cringer became and has persisted over the years as one of my favorite bands. Not because they never released a bad record or wrote a bad song but because the spirit of their existence and the heart and soul of their songs came to exist within me. More than probably any other band Cringer single-handedly is responsible for my drawing lines between my personal existence and the political implications of my life on the world around me. Lance wrote love songs that sounded like political treatises and political songs that were a conversation between two lovers unconscious in their struggle for control. Kit and fucking kaboodle…

When I started working at Epicenter we came to know one another and it was a little incongruous, the man and the records that had taken part in the shaping of the younger me. I never told him just what exactly his songs had meant to me and continued to mean– frankly it was embarrassing and he was a little more dorky then I had expected. Not that I was star-struck, possibly because from the connection of me and that band there had been that underlying understanding that we were on equal terms. Maybe it’s because he was so dorky. It just kinda happened, us knowing one another as people. I would sit behind the counter drinking a 40oz and smoking, spitting on the ground and irritating customers (both of them) by playing country records and he would walk in in his AK Press sweatshirt and maybe some fried tortellini from Mr. Pizza Man. It seemed like neither of us had anywhere else to go so we sat there, sometimes for hours, sometimes with others. We started staying well past closing, Lance and Kate and I most often, watching movies and talking massive amounts of shit. Non-stop shit talking. A never-ending torrent of shit was talked.

I’m watching for signals, they turn every night. It’s making me restless but nothing ignites. Oh, you know that I wanted this to be so much more, but I know we both know I should head for the door.

After a couple years Epicenter became financially and, honestly, culturally un-viable. I was pretending to live in Minneapolis while the collective dissolved itself, but at the same time Lance was seeing doctors and learning that he had a congestive-heart issue that was crushing his lungs against his rib cage. While I crawled the streets along the Mississippi at three in the morning he was getting blood work twice a week and working desperately to save his life. By the time I returned to help lay Epicenter down he was out of the worst but now had a permanent condition which would require constant monitoring and medication. You would never have known by talking with him unless you knew. Because he was so full of life and something like a potentially fatal disease was not going to keep him from hanging out and talking shit all night.

Epicenter was what brought us into orbit and when it was gone things changed dramatically. Kate’s house wasn’t as conducive to hanging out and now Lance and Liberty had started going out so we didn’t see too much of either of them. Eventually Libby decided to go back to school for linguistics and got into a program at the University of Texas in Austin. Lance continued to play in his post-Cringer band, J-Church, and continued to run his record label, Honeybear Records, through two house-fires which not only left them homeless but also destroyed his entire collection of records and priceless artifacts of his personal and punk rock history. We didn’t keep in touch, never having been the closest of friends and no longer having the common bonds we once shared. The last time we spoke was several years ago when J Church was on tour and played Bottom of the Hill. I skipped the show, not yet having attempted to listen to the band (a common feature of knowing Lance shared by everyone seems to be not being able to like whatever band he’s in when you know him– oh shit, except once I saw them play when I loaned them my PA to do an in-store at Howling Bull but I was busy kicking the amp trying to squeeze volume for the mics out of it so I didn’t really notice much except Lance had the guitar slung around his ankles and was bending chords by kneeing the neck), but we hung out afterwards before the van moved on for Portland. I was working a dead end job at a dying video store, the same as when he moved away. “I’m doing the same thing” he said. “Neither of us has changed since I moved” Well, I’m living at home tho, that’s shit. “Fuck, I’d live with your parents if I could. Your parents are cool.”

Okay, once he did spend the night at my parents’ house but they were out of town at the time.

Some months ago I heard through the grapevine that he had begun to experience kidney failure and had been placed on dialysis. There was talk of a waiting list for a transplant. It was bad news but something made me shrug it off, just as I shrugged off countless benefit shows and eventually a benefit compilation CD. I mean, this is Lance we’re talking about. He’ll be fine. He’ll be up and running in no time. J Church will go back on tour (maybe this time he can play Japan and wouldn’t it be funny to actually roadie this one now that I have money and he’s not having to go to the hospital every day) and he’ll release more records on Honeybear, write another newsletter and another historical essay on a long forgotten Peace-Punk band for MRR. He’ll be back and talking shit somewhere in the wee hours eating fried tortellini or telling a story from some Polish tour way back when.

But he went in for dialysis on Friday and collapsed. He slipped into a coma and on Sunday, October 21st, he slipped out of this world. I came home to two messages on my machine telling me and I spent some time on the phone talking about it and other things. Two people who I haven’t been very good about keeping up with but two people who are friends in the truest sense of the word and who deserve a little more effort on my part. And Lance did too, of course, even if it wouldn’t have mattered to him. Once again I have someone who I had stored away in the memory file assuming that we’d meet again and, when the time came, I could just reach back and grab that information, open the folder and begin where we left off. Not so, he’s gone. And despite the distance and the time in between the last time we spoke and now I will miss him.

Trapped in the back of my mind, is the thought too little too late. So when I try to define, I tend to over-complicate. When I’m told, again and again, ‘that’s just the way things go’. It leaves a bitter taste with me, because I think that we should know.

But at this time, I would have guessed
that we could rise above the rest.
But at this time, I guess I know
there are things we still can’t show.

Trapped in the back of our minds is a single ideology. Yet we bicker and we battle about what it means to be free. We never seem to have the courage to live the life we choose. So we lost what we should have won, because our numbers are diffused.

But at this time, I would have guessed
that we could rise above the rest.
But at this time, I guess I know
there are things we still can’t show.

Trapped in the back of my mind, trapped in the back of our minds. Trapped in the back of my mind, trapped in the back of our minds.

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In between heaping handfuls of artificial-butter flavored popcorn film critics will argue the merits of cinema until their faces turn blue and their arteries clog with smegma. Despite the insulting utterances of these arrogant fiends who’ve no business orating anywhere other than from the depths of the dumpsters where they belong there comes from the horde rare observations which blind by virtue of their sheer brilliance. The particulars escape me, possibly severed from my retrievable memory by my own mind, but I once witnessed one such studio crony escape the tired opinions of his rank and question: do films from bygone eras appeal to modern audiences because of their inherent achievements or because of a collective nostalgia?

When I was growing up my summers were often spent falling asleep on the couch watching TV20 before the rape and pillage perpetrated by the WB. Original Star Trek episodes aired at midnight and, if you could stand the excitement, The Untouchables (starring Robert Stack as Elliot Ness, narrated by Walter Winchell) followed. More than anything (certainly not syndicated episodes of Perry Mason which my sister loved to watch) I think that this constant exposure to hard-nosed G-men tommy-gunning rum-runners for God and country eventually relinquished my dependence on color when watching movies. The show, which originally aired from 1959-1963, was shot on film, expertly lit and well crafted. The dialogue and acting was, admittedly, less refined but that’s hardly important when you’re eleven and get really excited when people are riding running boards through the streets of Chicago shooting up speakeasies.

As I’ve never really gotten over the cheap entertainment of pulp I still find a fair share of detective stories and back-lot productions to kill my life an hour at a time. The deeper you dig the worse you find but my tolerance for crap of this kind is far greater than that which is churned out these days. Bad acting, insulting plots, dialogue a deaf-mute could’ve written and cheap sets are just part and parcel of the experience. You forgive the movies because they come from another time and another place and your irritations are washed away by stylish old cars and trench-coats, smokey diners, cheezy swing-bands, wise-cracking cabbies and roustabouts working the pier. And the dames? Ah, the dames!

It could have just been an honest geek-fixation but I started to get pretentious and watching movies with subtitles. At first I just assumed this interest came as a result of my obvious superiority in matters of taste and intelligence but after hearing some snobby poppycock on the television about nostalgia as a spice I started scrutinizing these nickel and rupee three reel deals a little more, trying to look through the exotic for the inexcusable faults which anchor our major productions to the bottom of the bowel. There’s been some success: recently a Russian movie which made the rounds and earned rounds of applause on the indie/arthouse circuit earned nothing but my displeasure because of obvious pandering, shallowness and exploitation. I don’t want a Russian movie made for an American audience, I want Russian movies about fucking Russia for Russian audiences. I want quality, taste, intelligence, emotional resonance! Maybe if I read the back of the boxes before I borrowed these things I could spare myself some wasted evenings but that’s a no-no unless it’s a documentary…

The Turkish film “Journey to the Sun” isn’t great by any measure. The acting comes courtesy of, reportedly, amateurs culled from the streets and there’s little doubt in my mind that this is true. Overall the story is serviceable but elements can cause involuntary cringing (particularly the cheap, pre-fab romantic sub-plot) and not the empathetic embarrassment you get from “Rushmore” but the revulsion of seeing old 1940’s melodramas still seeping into film. Loose ends are tied together a little too cleanly with convenient twists cropping up at just the right time, reaching across the table for the salt and maybe that gravy’s gonna slop and stain the linens. There’s little room for directorial detatchment but even allowing political content there’s ways to make a movie without having your thumb in the frame. It’s not a great movie at all but I would sit and watch it again this very evening.

There’s a little window in my living room, a window into the world. It’s the streets of Istanbul and not the streets they have in tourist pamphlets or posters in travel agencies. It’s peeking in on people struggling to survive, struggling for identity and struggling to be. Through it you see the news, you see history, you see things that make you feel richer for having witnessed and you feel ashamed for not throwing open the sash and screaming. Not to reveal too much but this is a movie about two people who’ve moved from their impoverished provincial towns to the big city, one from the east and one from the west. One knows the score and one’s about to learn the hard-way that life isn’t just unfair but it calculatingly fucked. One’s a Kurd and one’s a Turk but the difference suddenly becomes negligible.

The film’s writer/director, Yesim Ustaoglu become a filmmaker while working as an architect. With some short-films for which she won some awards under her belt she eventually dedicated herself to a feature film, 1994’s The Trace. Turkey became more volatile as Kurdish separatists and government troops became increasingly engaged in what would amount to war and Ustaoglu, being from eastern-Anatolia, decided to focus her lens closer to home. In interviews after the film’s screening in various festivals Ustaoglu talks about how she became increasingly depressed and despondent about the second-class status of Kurds and wanted to understand more about how things had come to be the way they are today. From her research and reading came the script and eventually the movie. Her reasoning is my favorite thing about this movie, but also a reminder that I don’t know shit about shit… (more…)

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Popular among marketing executives who’ve reached that point in their career where the cocaine and booze can no longer create the necessary plasticity to do their jobs is having adults attempt to use hip-hop slang. This lazy tactic started in the 80’s and quickly spread through pop-culture sending titters through middle America and your parents. It should have died out and never been reborn but, because the gene pools have been diluted beyond repair, the hilarious grey-haired matron talking jive to the kids returns time and time again to sell you cell phones or Sunny Delight or whatever the fuck people buy. “Hahahahah! How clueless is she, that retard, trying to talk slang like she’s down?” thinks shiny happy white people holding remotes.

These commercials always, without fail, cause extreme embarrassment for me. I don’t know why, I’ve never done the market research to unearth what deep-rooted trauma lurks in my past to cause such discomfort when some nameless day-actress says something like “keep it on the DL” on national television. Okay, my mother has probably humiliated me in this fashion but I can’t think of a specific instance except for one wonderful Thanksgiving where she was conversing with a younger cousin and it popped out onto the table and began infesting the Turkey with tapeworm. She wonders why I always loved working holidays.

Well, perhaps my horror at witnessing these displays of out of touch adults is an issue of empathy. I don’t understand many of the popular trends currently corrupting society as a whole and the greatest wormhole of confusion can be found here on the internet. The very fact that within a short period of time computers went from being something that, if you knew how to turn one on, could get you physically attacked and verbally ridiculed to being an indispensable daily asset baffles me; I distinctly recall them as being a very uncool thing that labeled users as insufferable nerds and caused my dad to think I was gay. Now he knows about youtube and rappers have websites and myspace pages. Myspace baffles me. I’ve seen people lurk on it for hours at a time, posting comments and trolling through profiles. There’s people who pimp other people’s myspace pages. This is making me feel very much like a clueless adult.

But the truth depths of modern perversion were, until quite recently, hidden from me. I thought that myspace was the ultimate in hyperactive media saturation until livejournal came into view. Message boards have changed significantly from the times of BBSs, although fundamentally they remain populated by geeky recluses who know that appearing at the local mall will elicit mockery and death by being pelted with pennies or small, hard candies. Yet they’re sleek and snazzy and in color with pictures and wobbling icons and, most horrifying, their own slang. In a way it’s a natural evolution of shorthand. You’re typing and you’re excited about the exchange– you need to relate the thoughts bursting from your head as quickly as possible. OMG has been with us for a long time and most of the western world can understand the implications. Kewl has, blessedly, disappeared entirely from usage.

It goes beyond a simple matter of slang, tho. There’s an entire generation coming up that has successfully integrated the internet into their mannerisms and interests and, unfortunately, their lives. A perfect symbiosis has occurred and millions of little wingnuts the world over have been fucking sold on the concept. Little shits posting video diaries of themselves on youtube capture the attention of nations while disaster, fire and brimstone reign supreme unnoticed. There’s a level of humour solely dedicated to online chat and postings. There’s memes. Imagine being airlifted from your safe hovel where you can walk through the room with no light and not bang your knee and being dropped in the middle of a Krystal Meyers concert. Then replace everyone with computers and give them programs designed to allow their unabashed inflation of personality present itself in technicolor with streaming video and audio.

Fortunately there’s an oasis out there where you can kick back for a spell and follow the links, absorbing the terms and cultural fads which populate this hinterlands we’ve created. Last week at work we were busy speculating as to what this new room across the hall was being used for. Actually, those of us who’ve not been in a coma or terminally stupid know exactly what is going on in there but we were speculating all the same. When they first began using it I taped a picture of an alien autopsy on the window which had, for the sake of privacy, been spray-painted opaque. This did not suffice. They’re growing pot in there, someone said. What is this, the 20’s? It must be something sinister. Someone brought up the fact that all employees in the new room must sign confidentiality waivers. This same someone also invoked the memory of a former owner/manager who had been bought out and removed after incurring repeated accusations of sexual harassment and general leering creepiness, suggesting they were being brought back into the fold to run this new top secret department. That’s right, my friends, they’ve put a production studio in at Amoeba and they’ve begun producing and streaming child porn.

We needed to do something about it. Posters, we must make posters and cover their door and its opaque window with evidence of our knowledge. But how do you communicate child porn besides writing on a piece of paper, “We make child porn in here”? Why, you find pictures of pedobear on the internet.

WTF? Pedobear is a pedophile bear that crawls through the internet in search of lolis. Pedobear is an unstoppable force lurking in online forums and virtual worlds hunting for underaged girls. Pedobear can be seen on youtube dancing with bananas. Pedobear became the poster child for the new room across the hall from us. I fired the first salvo finding a suitable image and scribbling a clever caption underneath and taping the shit out of it all over their door. Some prissy fucktard tore it down. I found a more disturbing image and someone devised an even more clever caption which I taped the shit out of all over their door. Some prissy fucktard tore that down too. Someone realized we had a lot of label paper on hand and soon were were populating whatever surfaced were handy with pedobear stickers. The denizens across the hall tried to fight back by taking our own posters and sticking them on our own door. We were not amused but responded by more posters, more stickers, more clever captions. We totally pwnd them, is what I’m saying.

Yet where did pedobear creep in to our collective consciousness and begin to fondle us inappropriately? Our source material came from The Encyclopedia Dramatica. As the Onion is the cool-kids lampoon of American news, politics and general going-ons ED is the internet’s bastion of in-jokes, snideness and being horribly offensive for the lulz. It’s toilet humor for people that are smart enough to see the joke in the fuck you but geeky enough to appreciate painstakingly photoshopped pictures of cartoon bears and young girls. It completely consumed our entire Thursday and left everyone following each random link lustily, laughing hysterically and calling one another to our computers. Friday saw a resurgence of fascination as well as a continued assault on the neighbors. It also saw someone figuring out that you can have animated gifs as your desktop’s background. It’s the perfect distraction for whiling away the idle hours at work, it’s horribly addictive and it may be the greatest summation of today’s internet culture that has been pointed out to me.

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